This ring is all metal, and it’s got that deep, oxidized charcoal look with a fine, grainy texture, almost like volcanic sand. The build is bold and tall, with two sculpted panels that rise up off the finger and lean toward each other like a little abstract skyline. There’s no stone on this one, so your eye goes straight to the shapes and the contrast between the dark body and the warm edge. The rim reads like bronze or gold, thin but bright, running along the curves and making the whole thing look sharp and intentional.

Instead of a gemstone, you get a dark, matte blackened silver surface with warm metal edging that catches the light. People say silver is good for clarity and keeping things simple, like a reset button you can wear. That fits this design, because it’s strong and stripped down, just lines and texture doing all the work.

BORA started with three brothers in Brooklyn, and you can feel that hands-on studio energy in pieces like this. It leans Mediterranean in spirit, built in oxidized 925 sterling silver with warm bronze or gold accents for contrast.